What to say This Tron: Legacy.
Tron was the first film to talk about virtual reality, and the first to make extensive use of computer graphics, using intelligence with the limits of time.
A new thing, then, that this film could not be and is not, in fact. I will avoid the
parallels between the two because the second film would be crushed, but not the story in this film does not matter.
's interest Kosinsky, architect of computer graphics with the ball, runs out in completely new and improved aesthetics the world of Tron.
82 now seems that the only development of video games or virtual reality has been the quality rendering.
The film is visually stunning and the mix of images and music is total, such an experience can only be found in Sergio Leone or in the original Star Wars trilogy (before the redesign-rape).
The plot is banal, predictable and lacking in any point of interest, the rate is controlled only by the audiovisual sector, and takes all conceivable elements of the original movie could do putting them together as any child asylum (do a fifteen-by, given the inordinate amount of gnocchi in the film sheathed in costume fetish). The dialogues are then
something embarrassing to forget, fortunately does not talk much, go treated as coughing or as the type before you enter that room because he had already started to film in a row to take the popcorn noise.
I hope the DVD version, or better, Blu-Ray, comes out with a version of "dumb".
Aesthetically, therefore, nothing to say, apart from a disappointing tendency to black. I would have preferred that at least transcendental Jeff Bridges had continued to dress in white until the end of the film.
From here onwards there is a risk spoilers, be warned.
Jeff Bridges is delightful in the role of Kevin Bridges, frighteningly similar to Paul Newman in The man with seven halters. Less in its digitized version of which would find acceptable as long as used to make the character of Clu, a little 'less in flashback which is also used to interpret the young Kevin.
The protagonist, Garrett Hedlund (who many will remember not the mysterious Murtagh in Eragon) is believable both as the son of Kevin and as the star of a little film of action.
The cast sees the presence of a Bruce Boxleitner completely divorced from the story and relegated to a cameo insistent, too bad. Sin even more so the fact that Tron relegated to a secondary character and sad, forced and unnecessary deus ex machina.
What can we say? All aesthetically pleasing, even the useless clone White Duke enjoyed a starring Michael Sheen.
And then a lot of dumplings, as I said, really.
And aside from the beautiful Olivia Wilde , it avoids unnecessary searches on the net here is the woman who made you say "because you see me for a moment," Ya Ya DeCosta .
The paucity of ideas I was saddened the world of Tron in 28 years ended in a universe in itself, annihilating self-limitation and thus also the end of the first film and making it unnecessary to all the work of the protagonist. But that does not matter, because what is before us is none other than the video (meant in a good way, though) most ambitious Daftpunk after Interstella 5555.
What else? Ah yes, my favorite character in the first film here is relegated to a mere ornament?
Go see it in a great room and enjoy it. You can avoid
3D which I think is completely useless, if not trivial to divide the real life (and flat two-dimensional) array in the world (yes three dimensional). So it does not work.
Remember, the dialogues are just background noise.
Good film. Long live the Daftpunk.
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